MANFRED HEINZE
 

Dichotomy  1983–2014 (selection)
With approximately 2,000 works, this is Manfred Heinze's second largest group of works. In it, free abstraction and geometric abstraction are confronted. Here it is mostly monochrome geometric forms that overlap free painting. Later on, it is also ornaments, more complex geometric shapes, which determine the image instead of rectangles and squares. Since about 2004, the work group "Cells" has dominated again Manfred Heinze's work. Due to numerous overlaps between the groups of works, one could certainly say that the group of works "Dichotomy" has become or always was a part of the group of works "Cells".


(please click on photo to enlarge)


Ozumme (2014) - 06.316 - acrylic, paper, tape, canvas - 50 x 60 cm

 

Pink (2011) - 04.088 - plastic, cardboard - 5 x 5 cm

 

Ealu B (2010) - 03.682 - oil, acrylic, paper, plastic foil, canvas - 50 x 60 cm

 

Point of no Return (2010) - 03.673 - oil, acrylic, plastic foil, kapa - 21 x 29,7 cm

 

Intupjion (2009) - 03.530 - oil, acrylic, ink, canvas - 50 x 60 cm

 

Gender (2005) - 02.051 - oil, acrylic, ink, canvas - 110 x 180 cm

 

Badenweiler Trilogie [Anton Tschechow] (2003) - 01.610 - acrylic, digital print, canvas - Ø 113 cm

 

Trias Politica [Legislative, Exekutive, Judikative] (2003) - 01.572 - acrylic, canvas - Ø 183 cm

 

schwarz-rot / hellblau (1991) - 01.084 - acrylic, canvas - 50 x 60 cm

 

violett / gelb / weiß / schwarz (1990) - 01.054 - acrylic, canvas - 50 x 60 cm
Nr. 1.044 (1990) - 01.044 - acrylic, canvas - 86 x 86 cm

 

Nr. 1.028 (1989) - 01.028 - acrylic, canvas - 50 x 60 cm

 

Komposition Nr. 405 (1984) - 00.405 - spray paint, dispersion, canvas - 190 x 140 cm

 

Freiheit & System Nr. 15-1/3 (1984) - 00.380 - oil, canvas - 80 x 60 cm

 

Seelenfenster (1983) - 00.200 - Gouache, Lumber - 50 x 71 cm